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The original version of the 1982 Los Angeles hardcore punk scene document by Dave Markey shot on Super8 film for We Got Power Films Filmed over the
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Slog - The Stranger Harry Dean Stanton always intense Slog Movie Harry Dean Stanton one of the finest most understated American screen actors of the past several decades died today of natural causes at the age of 91 Stanton was probably best known for his roles as the prophet Roman Grant on the HBO series Big Love as Molly Ringwalds dissolute dad in Pretty in Pink as Brain in Escape From New York as SaulPaul in Last Temptation of Christ and above all as Bud in Repo Man Most recently he turned up in the new season of David Lynchs Twin Peaks he was also in Fire Walk With Me Wild at Heart and Inland Empire Turned up seems like a fair way to characterize the way Stanton tended to appear onscreen Of all the naturalist actors to emerge from the postBrandoJames DeanDennis Hopper school Stanton was the most laconic the leastperformery and among the spookiest He often looked like hed be surprised to discover there was a camera observing him and like he might punch the photographer too This tension had the mysterious effect of making him absolutely spellbinding to look at no matter what huge star or special effect he might be sharing a scene with It made him disarming in comedies and often devastating in dramas And to borrow one of his signature line always intense Slog Movie Though he knocked around as a character actor for 30 yearswith intriguing TV credits like Alfred Hitchcock Presents The Andy Griffith Show and Mary Hartman Mary Hartman and small roles in interesting films like Cool Hand Luke Two Lane Blacktop Pat Garrett and Billy the Kid Cockfighter The Godfather Part 2 Bob Dylans Renaldo and Clara and Alienhis big break is generally regarded as his role in Wim Wenderss Paris Texas written by the late Sam Shepard Stanton is wrenchingly good in the film though a huge hunk of his performance consists of stumbling mutely through a desert landscape looking like an archetypal homeless man Only when he comes face to face with the person hes been seeking played by Nastassja Kinski is he allowed to articulate the loss that has left him so broken True to form for Wenders Shepard and Stanton the revelation is laid out with a minimum of histrionics the better to reveal just how shattering to power of simple human regret can be That scene was the first thing I thought of when I read that Stanton was dead I have no doubt Ill be revisiting many others in the days to come
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